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Galerie Michael Haas

Pablo Picasso

* 25TH OCTOBER 1881 IN MÁLAGA (ESP)
† 8TH APRIL 1973 IN MOUGINS (F)

The Spanish artists Pablo Picasso is arguably the most influential artist of the 20th century.
His exceptionally comprehensive output of paintings, drawings, print works, stage designs, sculptures and ceramics can not be defined by a single style, but are rather an overlapping of various styles that follow each other and exist in close relationship to modern art, which he himself greatly influenced. His work can be roughly divided into the early works (until 1900), the Blue Period (1901 to 1904), the Rose Period (1904 to 1906), the invention of cubism with Georges Braque (1907 to 1919), a neoclassical period (1917 to 1925) a surreal period (1925 to 1944) and the late works (from 1945). His life and work can not be separated from each other and he often portrayed himself as well as his wives and lovers. Les Demoiselles d’Avignon (1907) is regarded as the first cubist painting and the birth of abstract painting. Another masterpiece of the 20th century is the monumental Guernica (1937), which portrays the horror of the Spanish civil war. His use of the dove in the poster for the world peace congress in 1949 has since become a worldwide symbol of peace. His work can be found in the most prestigious museums and collections around the world. Both Paris and Madrid have museums dedicated to his work.

Femme à la Source, 1962 <br> linocut on paper <br> signed lower right and inscribed left site with: 'épreuve d'artiste' <br> 52,8 x 64 cm / 62 x 75 cm
Femme à la Source
1962
Jacqueline au Mouchoir noir, 10.01.1958 <br> 2. state inscribed 1. state <br> lithograph on arches <br> dated upper left in the plate: "6.6.57." and mirrowed "12.6.58.", inscribed on the verso "316", "M 316 1er/2e état" and "1er état 6/6 FM" <br> 66,1 x 50,2 cm <br> (3373)
Jacqueline au Mouchoir noir
10.01.1958
La Famille du Saltimbanque, 1954 <br> lithograph on arches <br> inscribed on the verso: "6/6 FM", "249" and "M 249" exemplar for Mourlot, 50 others signed and numbered exemplars and 5 artist's proofs <br> 50,4 x 65,3 cm <br> (3371)
La Famille du Saltimbanque
1954
Troupe d`Acteuers, 1954 <br> lithograph on arches <br> inscribed on the verso: "250", "M 250" and "6/6FM" exemplar for Moulot, 50 other signed and numbered exemplars and 5 artisit's proofs <br> 50,1 x 65,7 cm <br> (3372)
Troupe d`Acteuers
1954
Visage de Face, 17.01.1965 <br> ceramic <br> numbered: "21/100" <br> 42 cm aperture
Visage de Face
17.01.1965
Neuf têtes, 1934 <br> cooper etching on paper <br> stamp signature <br> Ex.: 10/50 <br> 31,7 x 22,6 cm <br> edition: 5 artist's proof + 50 signed and numbered exemplars
Neuf têtes
1934
Degas chez les filles. La note (Série 156), 1971 <br> etching on wove paper <br> stamp signature: "Picasso", numbered "12/50" <br> 37 x 49,3 cm <br> (3351)
Degas chez les filles. La note (Série 156)
1971
Vieux modèle-jeune Odalisque, femme androgyne, berger arcadien et Pêcheur à la Boina pendante (Serie 156), 1970 <br> etching on wove paper <br> stamp signature: "Picasso", numbered "12/50" <br> 47,5 x 59,3 cm <br> (3349)
Vieux modèle-jeune Odalisque, femme androgyne, berger arcadien et Pêcheur à la Boina pendante (Serie 156)
1970
Halte de Comédiens ambulants, avec Hibou, et Bouffon enlacant une Femme, 1969 <br> dry piont etching on wove paper <br> signed, numbered, dated in the printing plate: „2.8.68.I.“ <br> 31,6 x 31,5 cm / 49,2 x 45,5 cm <br> Ex.: 31/50 <br> (3588)
Halte de Comédiens ambulants, avec Hibou, et Bouffon enlacant une Femme
1969
Scène pastorale poussinesque sur le Thème de Pan et Synx (Serie 347), 1968 <br> etching on wove paper <br> signed, numbered and dated in the printing plate: "15.7.68.II." <br> 41,2 x 49,5 cm / 56,9 x 64,4 cm <br> EX.: 31/50 <br> (3587)
Scène pastorale poussinesque sur le Thème de Pan et Synx (Serie 347)
1968
Autoportrait transposé et dédoublé rêvant au Cirque, avec Jaqueline en acrobate à la Boule, 1968 <br> etching on wove paper <br> signed and numbered, dated in the printing plate: "26.3.68" <br> Ex. 8/50 <br> Edited by the gallery Louise Leiris, Paris, 1969. In addition have been printed 17 artist's proofs. <br>42,2 x 34,5 cm / 61,2 x 56,3 cm
Autoportrait transposé et dédoublé rêvant au Cirque, avec Jaqueline en acrobate à la Boule
1968
Cirque: Écuyère, Femmes et Spectateurs, dont un Garagiste déguisé, 1968 <br> etching on wove paper <br> signed, numbered and dated at the printing plate: „20.4.68.“ <br> 31,6 x 39,5 cm / 47,4 x 56,8 cm <br> Ex.: 27/50
Cirque: Écuyère, Femmes et Spectateurs, dont un Garagiste déguisé
1968
Au Cirque: Acrobates, Girafe, Nageuses, 1968 <br> etching on wove paper <br> signed and numbered, dated in the printing plate: "11.4.68. I" <br>Ex.: 29/50 <br> Edited by the gallery Louise Leiris, Paris, 1969. In addition to 50 signed and numbered exemplars and 17 strist's proofs. <br> 31,4  x 41,6 cm / 45,2 x 56,3 cm
Au Cirque: Acrobates, Girafe, Nageuses
1968
Souvenirs d'enfance: Fète de Rue, avec Bonhomme et el Gigante, 1968 <br> aquatint on wove paper <br> signed and numbered, dated in the plate:"4.6.68,I." <br> Ex.: 6/50 <br> Edited by the gallery Louise Leiris, Paris, 1969. In addition to 50 signed and numbered exemplars and 17 artrist's proofs. <br> 22,3 x 28,9 cm / 34,8 x 42,1 cm
Souvenirs d'enfance: Fète de Rue, avec Bonhomme et el Gigante
1968
Cirque et Catch, 1968 <br> etching on wove paper <br> signed, numbered and dated in the printing plate: "2.4.68, II" <br> Ex.: 29/50 <br> Edited by the gallery Louise Leiris, Paris, 1968. In addition to 17 artist's proofs. <br> 31,4 x 41,6 cm / 42,2 x 56,3 cm
Cirque et Catch
1968
Client bedonnant chez la Célestine, 1968 <br> etching on wove paper <br> signed and numbered, dated in the printing plate: "3.6.68. II." <br> 3Ex.: 31/50 <br> Edited by the gallery Louise Leiris, Paris, 1969. In addition to the edition of 50 signed and numbered exemplars and 17 artist's proof. <br> 22,3 x 28,9 cm/ 42 x 34,9 cm
Client bedonnant chez la Célestine
1968
Mousquetaire attablé avec un jeune Garcon, évoquant sa Vie, 1968 <br> etching on wove paper <br> signed and numbered, dated in the printing plate: "16.5.68, VI" <br> VI. state. Edited by the gallery Louise Leiris, Paris, 1969. In addition to 50 siged and numbered exemplars and 17 artist's proof. <br> 33,6 x 49,2 cm /50,1 x 65,7 cm
Mousquetaire attablé avec un jeune Garcon, évoquant sa Vie
1968
Halte de Comédiens ambulants, avec Hibou, et Bouffon enlacant une Femme, 1969 <br> dry piont etching on wove paper <br> signed, numbered, dated in the printing plate: „2.8.68.I.“ <br> 31,6 x 31,5 cm / 49,2 x 45,5 cm <br> Ex.: 31/50 <br> (3588)
Halte de Comédiens ambulants, avec Hibou, et Bouffon enlacant une Femme
1969